O'Neill, Eugene (Gladstone)

Playwright. Born October 16, 1888, in New York City. A Beloved American Dramatist. Often considered Americas capitalest playwright, Eugene ONeill is credited with changing American frolic from hot entertainment to serious literature. The only American dramatist to attract a Nobel Prize for literature, he worked in a shape of styles, including realism, expressionism, and myth. He borrowed freely from other dramatic traditions, reworking classical tragedies, victimisation masks from non-Western drama, and learning from the European avant-garde. But he is, at heart, maven of his nations most American dramatists. His plays are as carefully plan as unlessse of the popular theater he renounced. His borrowings mine his sources for their relevancy to American history and issues. Most importantly, his words is undecomposable and swallow off: so simple that some critics have impeach him of poor writing. But his dialogue is written in the day-after-day wrangle spoken by real Americans, and bringing that language to the wooden leg is an important part of his legacy to the American theater. Influenced by Fathers rush Eugene ONeill was born into the theater: his Irish father, James ONeill, had big(p) look for as a Shakespearean actor until he had the great fortune--and misfortune--of buying the rights to Charles Fechters The Count of Monte Cristo, a dramatic mishap play adapted from Alexandre Dumass novel.

James ONeill played the school ace in this sensational spectacle over 6,000 times, becoming rich and famous, tho losing his artistic promise. This legacy, like many details abo ut his family, would resort Eugene ONeill i! n liveness and in his plays. Although he fervently jilted the dramatic tradition represented by his fathers career, his own drama was determine by it in very deep ways. In fact all of his work can be rake as an extended autobiographical meditation on a life that often seems like a melodrama itself. If you want to get a full essay, order it on our website: OrderCustomPaper.com

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