Literature And Film

: Utilizing the Male Gaze in Analyzing Anthony Minghella s The English PatientAs author Barbara Tepa Lupack (1999 , 1 ) con plays , Hollywood has historically dour to literature for its story ideas . And wo manpower s allegory has non disappointed , providing more of the most interesting , as well as several(prenominal) of the best , sources for Hollywood untruth with . Fiction by American wo men has both afforded insights into American confederacy and character and provided producers and directors with a wealth of paintingable material (Lupack 1Through the age , whatsoever of Hollywood s most juicy videos have been ground on sweets by American women , i .e . G champion with the lace (1939 ) establish on Marg art Mitchell s novel (1936 ) of the Old S bulgeh , which rule out the author s insistence that it was non mean to mirror the quagmire or other al events , both book and impression gripped the American public s pop imagination who , in the take of one world warf ar and in the opening eld of a nonher , recall with nostalgia to a greater extent genteel days and a Civilization gone with the windHowever , many of these memorable selects adapted from novels by American women , like so much of classical and dominate Hollywood cinema , tend to `stereotype or differently misrepresent women and thereby to belittle their credibility (Lupack , 5 . As Marjorie Rosen (as cited by Lupack 7 ) puts it , motion pictures be `a blueprint of popular culture that altered the bearing women looked at the world and reflected how men intended to keep it the movie mills of Hollywood created `a Cinema Woman who has been a Popcorn Venus , a delectable but aery hybrid of cultural distractions (Erens 19Such a view is shared by Molly Haskell , whose pioneering study From reverence to Rape , documented the interference of women on film and remember that Hollywood has `typically presented controvert views of women (Lupack 6 ) in much(prenominal) a way that they are relegated to poor role models , if not glamorous , unattainable ones .

pistillate film characters are thus defined in analogy to their informality - by its additional , i .e . the vamp , the shakeual urge goddess , or the femme fatale , or its absence seizure (the virgin the rose periwinkle , the motherHaskell adds that movies brought into the big screen what the harm women as a sex have been referred to over the age . It does germ as no surprise that cinema brought forrard images of the female `disparate from women s literal lives (Lupack 7 ) - limit , stamp and demeaningSharon metalworker (1972 , 13 ) adds that `women , in any salutaryy kind-hearted form , have been just about completely left out of film . from its very number one they were present , but not in characterizations any self-respectful person could identify with (Gledhill , Re-vision 19 . This experimental condition of `limited visibility so to enunciate becomes more overt when one considers the representation of minority women in film , who are continually boxed in uninventive roles - whores , seducers , Amazons and matriarchs , martyr wives , exotics , and tragic mulattoesMore novel studies by feminists and feminist film critics decry the `sexual spectacle...If you deprivation to get a full essay, order it on our website: Ordercustompaper.com

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